{"id":29,"date":"2025-08-15T14:19:15","date_gmt":"2025-08-15T12:19:15","guid":{"rendered":"https:\/\/sonavetcha.com\/?page_id=29"},"modified":"2025-08-23T11:51:45","modified_gmt":"2025-08-23T09:51:45","slug":"skladby","status":"publish","type":"page","link":"https:\/\/sonavetcha.com\/en\/skladby\/","title":{"rendered":"Songs"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"29\" class=\"elementor elementor-29\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2845cbf e-flex e-con-boxed e-con e-parent\" data-id=\"2845cbf\" data-element_type=\"container\" data-settings=\"{&quot;shape_divider_top&quot;:&quot;curve&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-shape elementor-shape-top\" aria-hidden=\"true\" data-negative=\"false\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 1000 100\" preserveaspectratio=\"none\">\n    <path class=\"elementor-shape-fill\" d=\"M1000,4.3V0H0v4.3C0.9,23.1,126.7,99.2,500,100S1000,22.7,1000,4.3z\"\/>\n<\/svg>\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0d7375d elementor-widget elementor-widget-hfe-breadcrumbs-widget\" data-id=\"0d7375d\" data-element_type=\"widget\" data-widget_type=\"hfe-breadcrumbs-widget.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<nav aria-label=\"Breadcrumb\"><ul class=\"hfe-breadcrumbs hfe-breadcrumbs-show-home\"><li class=\"hfe-breadcrumbs-item hfe-breadcrumbs-first\"><span class=\"hfe-breadcrumbs-home-icon\"><svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-home\" viewbox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M280.37 148.26L96 300.11V464a16 16 0 0 0 16 16l112.06-.29a16 16 0 0 0 15.92-16V368a16 16 0 0 1 16-16h64a16 16 0 0 1 16 16v95.64a16 16 0 0 0 16 16.05L464 480a16 16 0 0 0 16-16V300L295.67 148.26a12.19 12.19 0 0 0-15.3 0zM571.6 251.47L488 182.56V44.05a12 12 0 0 0-12-12h-56a12 12 0 0 0-12 12v72.61L318.47 43a48 48 0 0 0-61 0L4.34 251.47a12 12 0 0 0-1.6 16.9l25.5 31A12 12 0 0 0 45.15 301l235.22-193.74a12.19 12.19 0 0 1 15.3 0L530.9 301a12 12 0 0 0 16.9-1.6l25.5-31a12 12 0 0 0-1.7-16.93z\"><\/path><\/svg><\/span><a href=\"https:\/\/sonavetcha.com\/en\"><span class=\"hfe-breadcrumbs-text\">Home<\/span><\/a><\/li><\/ul><\/nav>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-110a275 e-flex e-con-boxed e-con e-parent\" data-id=\"110a275\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f0009b5 elementor-widget elementor-widget-html\" data-id=\"f0009b5\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<div class=\"artist-works\">\n\n  <h2>Chamber music<\/h2>\n  <ul>\n    <li>Hail for non-melodic percussion instruments, 2008<\/li>\n    <li>Winter Sonata for violin, viola and piano, 2008<\/li>\n    <li>Solo for trumpet, 2009<\/li>\n    <li>Autumn in Lu\u017e\u00e1nky for solo piano, 2010<\/li>\n    <li>Composition for organ, harpsichord, oboe and wood blocks, 2010<\/li>\n    <li>Mixer: I. movement \u2013 \u200b\u200b229 W, II. movement \u2013 \u200b\u200b120 W (for two tubas and piano), 2011<\/li>\n    <li>Storytelling with the Harp for solo harp, 2011<\/li>\n    <li>Ebb and Flow for trumpet and piano, 2012<\/li>\n    <li>Chants on Artemidorus's Ancient Dream for soprano and wind quintet, 2013<\/li>\n    <li>\"Es\" for melodic percussion instruments, 2013<\/li>\n    <li>5 pieces for piano, 2013<\/li>\n    <li>String Trio, 2014<\/li>\n    <li>Instrumental studies, 2014<\/li>\n    <li>Electroacoustic study, 2014<\/li>\n    <li>Three Fantasy Pieces for String Trio, 2014<\/li>\n    <li>Canto 23 from Dante's Divine Comedy \u2013 melodrama for reciter and piano, 2014 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2019\/01\/So\u0148a-Vetch\u00e1-Zp\u011bv-23.-melodram-pro-recit\u00e1tora-a-klav\u00edr-2014.pdf\">PDF<\/a><\/li>\n    <li>Reverse chronology for EA track, 2015<\/li>\n    <li>Cat in the Labyrinth for clarinet, marimba, harp and EA track, 2015<\/li>\n    <li>2 paintings for percussion instruments, 2016<\/li>\n    <li>3 ideas for the choir, 2016<\/li>\n    <li>Circle Sound Map for Viola, Cello, Marimba, Piano and EA, 2016<\/li>\n    <li>Circle Sound Map for Viola, Cello, Marimba, Piano and EA, 2016 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-Hyperkrychle-2018.pdf\">PDF<\/a><\/li>\n    <li>Transparent screens for flute, percussion and cello, 2017 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2019\/01\/So\u0148a-Vetch\u00e1-Pr\u016fhledn\u00e9-clony-pro-fl\u00e9tnu-violoncello-a-bic\u00ed-n\u00e1stroje-2017.pdf\">PDF<\/a><\/li>\n    <li>String Quartet No. 1, Cracks in Space-Time, 2017 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-Trhlina-v-casoprostoru-2018.pdf\">PDF<\/a><\/li>\n    <li>String Quartet No. 1, Cracks in Space-Time, 2017 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2019\/01\/So\u0148a-Vetch\u00e1-Eternity-of-our-dreams-for-solo-flute-2017.pdf\">PDF<\/a><\/li>\n    <li>Contemplation, reminiscence, intervention\u2026 for reciter and live el., 2017<\/li>\n    <li>Reflections of Water Mirrors for cello and piano, 2017 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-Odrazy-vodnich-zrcadel-2017.pdf\">PDF<\/a><\/li>\n    <li>Fata morgana for 2 clarinets, marimba, vibraphone, bells and piano, 2017 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2019\/01\/So\u0148a-Vetch\u00e1-Fatamorg\u00e1na-pro-dva-klarienty-marimbu-vibrafon-zvony-a-klav\u00edr-2017.pdf\">PDF<\/a><\/li>\n    <li>Water Frequencies, Low, Medium and High (for Wind and Percussion Instruments, Violin, Organ and Piano), 2018<\/li>\n    <li>4 studies on auditory illusions (part of the thesis), 2017\u20132018<\/li>\n    <li>Sparks for clarinet, violin, cello and accordion, 2018 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2019\/01\/So\u0148a-Vetch\u00e1-Jiskry-pro-klarinet-akordeon-housle-a-violoncello-2018.pdf\">PDF<\/a>, <a href=\"https:\/\/soundcloud.com\/sona-vetcha\/sona-vetcha-jiskry-psychoakusticka-studie-pro-klarinet-akordeon-housle-a-cello-2018\">SoundCloud<\/a><\/li>\n    <li>Frequency palette for small ensemble, new version 2018\u20132019<\/li>\n    <li>Light of blue-green color, 2019<\/li>\n    <li>Counterpoint of auditory illusions for EA trail, 2019<\/li>\n    <li>Wavelengths, audiovisual composition, 2019<\/li>\n    <li>Solo in solo? for flute and EA track, 2019 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-Solo-in-solo-Can-you-trust-your-ears_SCORE.pdf\">PDF<\/a>, <a href=\"https:\/\/soundcloud.com\/sona-vetcha\/sona-vetcha-solo-in-solo-pro-fletnu-a-elektroakustickou-stopu-2019-fletna-jana-jarkovska\">SoundCloud<\/a><\/li>\n    <li>Holograms for small ensemble, 2020 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-Hologramy-2019.pdf\">PDF<\/a>, <a href=\"https:\/\/soundcloud.com\/sona-vetcha\/sona-vetcha-hologramy-2019\">SoundCloud<\/a><\/li>\n    <li>HIGH \u2013 Middle \u2013 low for piano, 2020<\/li>\n    <li>Fog Study for violin and EA track, 2020<\/li>\n    <li>Dark patch in the rippled space for two pianos and Tibetan bowls, 2020 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-A-dark-patche-in-the-rippled-space-2020.pdf\">PDF<\/a><\/li>\n    <li>Hypnosis for solo cello, played by \u0160t\u011bp\u00e1n Fil\u00edpek, 2020<\/li>\n    <li>Eternity of CH for small ensemble, 2020\u20132021 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-Eternity-of-CH_score-2020.pdf\">PDF<\/a>, <a href=\"https:\/\/soundcloud.com\/sona-vetcha\/sona-vetcha-etertnity-of-ch-for-chamber-ensemble-2021\">SoundCloud<\/a><\/li>\n    <li>Cuts, switches, clouds. \u2013 orchestral cycle of psychoacoustic studies, 2020\u20132021<\/li>\n    <li>3 sound portraits \u2013 for Video ensemble and electronics, 2021 \u2013 <a href=\"https:\/\/soundcloud.com\/sona-vetcha\/3-sound-portraits-for-videoensemble-2021\">SoundCloud<\/a><\/li>\n    <li>Parallel Worlds, Ensemble for new music Tallinn, 2021<\/li>\n    <li>Labyrinth, Meitar Ensemble Israel, 2021<\/li>\n    <li>Pern\u00e1 + \u010detn\u00e1 = black?, site specific performance, 2021<\/li>\n  <\/ul>\n\n  <h2>Orchestral compositions<\/h2>\n  <ul>\n    <li>Concertino for oboe and chamber string orchestra, 2013 (Brno Conservatory Symphony Orchestra)<\/li>\n    <li>Rising from the Depths for chamber orchestra, 2015 (South Bohemian Chamber Philharmonic, \u010cesk\u00e9 Bud\u011bjovice)<\/li>\n    <li>Dream for piano and chamber orchestra, 2016 (Pilsen Philharmonic)<\/li>\n    <li>Weightlessness for chamber string orchestra and percussion instruments, 2017 (West Bohemian Symphony Orchestra Mari\u00e1nsk\u00e9 L\u00e1zn\u011b)<\/li>\n    <li>Hypercubes for chamber orchestra, organ, piano, percussion and EA track, 2017\u20132018 (Pilsen Philharmonic) \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-Hyperkrychle-2018.pdf\">PDF<\/a><\/li>\n    <li>Cuts, switches, clouds. \u2013 orchestral cycle of psychoacoustic studies, 2020\u20132022 \u2013 <a href=\"http:\/\/sonavetcha.com\/wp-content\/uploads\/2021\/08\/Sona-Vetcha-Cuts-2020.pdf\">PDF<\/a>, <a href=\"https:\/\/soundcloud.com\/sona-vetcha\/sona-vetcha-cuts-2020\">SoundCloud<\/a><\/li>\n  <\/ul>\n\n  <h2>Film music<\/h2>\n  <ul>\n    <li>Father Christmas, FAMU production, 2018<\/li>\n    <li>Women's Day, animated film, FAMU production, 2018<\/li>\n  <\/ul>\n\n<\/div>\n\n<style>\n.artist-works {\n  font-family: \"Georgia\", serif;\n  line-height: 1.6;\n  max-width: 900px;\n  margin: 40px auto;\n  color: #222;\n}\n\n.artist-works h1 {\n  font-size: 2.2rem;\n  margin-bottom: 20px;\n  color: #111;\n  text-align: center;\n}\n\n.artist-works h2 {\n  font-size: 1.6rem;\n  margin: 30px 0 15px;\n  padding-bottom: 5px;\n  border-bottom: 2px solid #0056b3;\n  color: #0056b3;\n}\n\n.artist-works ul {\n  list-style: none;\n  padding-left: 0;\n  margin: 0 0 20px;\n}\n\n.artist-works li {\n  position: relative;\n  padding-left: 25px;\n  margin-bottom: 10px;\n}\n\n.artist-works li::before {\n  content: \"\u2022\";\n  position: absolute;\n  left: 0;\n  top: 0;\n  color: #0056b3;\n  font-weight: bold;\n}\n\n.artist-works a {\n  color: #0056b3;\n  text-decoration: underline;\n}\n\n.artist-works a:hover {\n  color: #003366;\n  text-decoration: none;\n}\n<\/style>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u00davod Komorn\u00ed hudba Krupobit\u00ed pro nemelodick\u00e9 bic\u00ed n\u00e1stroje, 2008 Zimn\u00ed son\u00e1ta pro housle, violu a klav\u00edr, 2008 S\u00f3lo pro trubku, [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"plain-container","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-29","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sonavetcha.com\/en\/wp-json\/wp\/v2\/pages\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sonavetcha.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sonavetcha.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sonavetcha.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sonavetcha.com\/en\/wp-json\/wp\/v2\/comments?post=29"}],"version-history":[{"count":7,"href":"https:\/\/sonavetcha.com\/en\/wp-json\/wp\/v2\/pages\/29\/revisions"}],"predecessor-version":[{"id":157,"href":"https:\/\/sonavetcha.com\/en\/wp-json\/wp\/v2\/pages\/29\/revisions\/157"}],"wp:attachment":[{"href":"https:\/\/sonavetcha.com\/en\/wp-json\/wp\/v2\/media?parent=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}